This collage builds upon my fascination with cellular forms and the always intriguing circle. A mixture of ink wash, drawing and collage, this work explores pattern, repetition and variation. Each circle was created by allowing small puddles of wash to dry—this created subtle tonal variations. Once dry, a ring of small black dots was added around each circle. The circles were then cut out, arranged on the black background paper and glued into the matrix. Title:Dot Matrix, LargeMedia:ink, wash and collageDimensions:25.5" x 19"Date of Work:2008 Wendy L. Gonick
Title:Sky Tunnels (ladder)Media:Watercolor & acrylic mounted on panelDimensions:14" x 10"Date of Work:2011 Wendy L. Gonick
Ed Fella, collage
Ed Fella, drawing
Ed Fella, drawing
Ed Fella, drawing
Ed Fella, drawing
Mark Perronet, Hasta La Vista Kitty! 4, Mounted on very heavy (2600micron) board these are screenprints on Magnani Litho 310gsm paper with added spraypaint, therefore each one is slightly different. The size refers to the external dimensions of the mount the window is approx 30x30cm. Limited Edition, Screenprint and spraypaint, 50cm x 50cm, Edition of 10
Mark Perronet, Raygun, Two colour screenprint on 310gsm Magnani, Litho paper, signed and stamped. SOLD OUT, Limited Edition, Screenprint, 50cm x 70cm, Edition of 9
Mark Perronet, "Look Kids!" Four colour screenprint on Magnani Litho 310gsm paper. Limited Edition, 70cm x 50cm, Edition of 12
Mike Simi, Mr. Weekend, 2010, Robotic arm, custom software, fabric, 2 channel audio, Dimensions variable
Mike Simi, Everlasting Gobstopper, 2012, cast lead, enamel, approximately 1.5"
Mike Simi, Sex Offenders From My Hometown, Throw Pillow Series (In Progress), 2007 edition, Printed fabric, Each pillow- 24X24X12 inches
Yayoi Kusama A SENSATION OF THE DAYBREAK 2012 acrylic on canvas 162x130.3cm
Japanese contemporary artist Yayoi Kusama at the Gallery of Modern Art in Australia, where the Look Now, See Forever exhibition. The biggest attraction of the exhibition is the Obliteration Room, which begins its life as an empty white room, only to be gradually decorated by children who are given colorful stickers. Jan. 2012
Tetsuya Noda - Diary 1978 Feb. 10
Odilon Redon, The Smiling Spider
1881 (230 Kb); Charcoal, 49.5 x 39 cm; Musee du Louvre, Paris
Odilon Redon, Eye-Balloon, 1878 (190 Kb); Charcoal, 42.2 x 33.2 cm; The Museum of Modern Art, NY
Odilon Redon, Cactus Man, 1881 (260 Kb); Charcoal, 49 x 32.5 cm; The Woodner Family Collection, NY
Terry Winters, Double Gravity, 1984, Oil on linen
Terry Winters, Morula III , 1983-4, Lithograph on paper
Terry Winters, Linking Graphics 2, 1999, Ink, graphite, and colored pencil on paper
Jim Dine, Untitled (Red Clippers)
1974, charcoal and pastel
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, Museum Purchase, 1977
Jim Dine, Elyria
2000, charcoal on worn etching felt
Courtesy of PaceWildenstein
Jim Dine, Untersberg #5
1993, charcoal, black and white chalk, enamel, pastel, and acrylic
Private collection
Cy Twombly, Cold Stream,1966
Cy Twombly (American, 1928–2011), Leda and the Swan, Rome 1962. Oil, pencil, and crayon on canvas, 6' 3" x 6' 6 3/4"
Cy Twombly (American, 1928–2011), Untitled, 1957. Oil, pencil, and crayon on gessoed board on paper-faced canvas, 19 5/8 x 27 5/8"
Louise Bourgeois, untitled, (1943). Ink on colored paper, 8 7/8 x 11 1/2"
Louise Bourgeois (American, born France. 1911–2010), Untitled (Spiral with Heads), first version, only state(c. 1984). Photogravure, plate (irreg.): 2 3/4 x 4 7/16" (7 x 11.2 cm); sheet: 19 11/16 x 13" (50 x 33 cm)
Louise Bourgeois (American, born France. 1911–2010), Ste Sebastienne second version, state VI (1992). Drypoint, plate: 38 15/16 x 30 7/8" (98.9 x 78.4 cm); sheet: 47 7/16 x 37 1/8" (120.5 x 94.3 cm). Publisher: Peter Blum Edition, New York. Printer: Harlan & Weaver, New York. Edition: 50.